No golden envelope hiccups here at Dulwich College as the Master, Dr Joe Spence, announced Stewart Foster as winner of the Trinity Schools Book Award for 2017.
The event was live tweeted with #tsba2017 if you want to check out the Twitter photos and you can read the TSBA blog write up here
It was a great evening with lots of enthusiasm for reading and writing. Both authors, Stewart Foster and Diana Hendry (The Seeing) gave thoughtful and thought-provoking answers to the questions that the students from participating schools had submitted for the Q&A session. In particular we enjoyed hearing about the books which had captured their young imaginations and how hearing their characters speak helps them move the story along.
Many thanks to all the sponsors for the goody bags, the staff and pupils who helped out on the day, the authors and their teams and most of all to all the students who read the stories, voted and came along to the ceremony.
We can’t believe it’s nearly time to announce the winners!
And it isn’t only the authors who can anticipate being prize winners on Tuesday evening as there are also prizes for the students who submit the Best Review and the Best Creative Response to a shortlisted book.
The fun will start in the Lower Hall with refreshments before we all head up to the Great Hall for the award ceremony, starting with those student winners (good luck to all have submitted entries!).
Before the announcement of the winning book there will be an authors’ panel session at which our special guests will answer questions. After the winner has been revealed and the applause has died down there’ll be a chance to meet the authors, pick up a goody bag* and take a look at all the creative responses which will be on display in the Lower Hall.
So, here as promised, are the remaining shortlisted books (again, no clues here for the winner):
There Will Be Lies, by Nick Lake
She Is Not Invisible, by Marcus Sedgwick
The Smell of Other People’s Houses, by Bonnie-Sue Hitchcock
Not If I See You First, by Eric Lindstrom
The Knife of Never Letting Go, by Patrick Ness
Many thanks to all the sponsors of the goody bags:
Faber & Faber, HarperCollins Children’s Books, Penguin Random House, Quercus Children’s Books, Simon and Schuster, Walker Books, and Browns Books for Students.
The Trinity Schools Book Award Prize Ceremony will be held at Dulwich College on Tuesday 7th March 2017.
There are 7 books on the TSBA shortlist and there have been some marvellous creative responses to them from students in all the schools participating in the awards voting.
Over the next week, we’ll feature each of the books (in no particular order so there’ll be no hint as to the winner!).
You can find some reviews which have been posted to the TSBA blog here
More reviews from the TSBA blog here
Look out for more over the next few days 🙂
How long would it take to communicate a message to the moon? to the Sun? to Andromeda? What is the difference between a red dwarf and a white dwarf? What is the shape of the Universe? These and many other questions were answered today as we welcomed French theoretical physicist, Christophe Galfard, to the Wodehouse Library. Dr Galfard is a former PhD student of Stephen Hawking and worked with the Cambridge professor on the nature of black holes. An audience of 60 middle and upper school boys enjoyed hearing about the latest theories regarding black holes, red dwarves, exploding stars and the size of the Universe and demonstrated their own depth of knowledge with some fascinating questions of their own. A large queue at the end of the talk formed as boys continued to ask questions as they bought signed copies of Christophe’s book The Universe in Your Hand. As a non-physicist myself I learnt a lot of new stuff and the enthusiasm of speaker and audience has certainly encouraged me to read more about this fascinating subject. PJF 13/10/2015
The wit and wisdom of Martin Rowson, editorial cartoonist and satirist, was enjoyed by an appreciative audience in the Wodehouse Library on Founder’s Day.
Rowson began by tracing the progress of caricature from early cave paintings to the sudden burst of satirical material in the 18th century caused by an oversight in parliament, when press control laws were not renewed. Thus began the relationship which continues to this day, where the politician craves the attention of the cartoonist whilst fearing his or her power. Rowson described these powers as ‘voodoo like’, and allowed that politicians are right to fear a drawing that can have a real effect on their fortunes, political and personal.
Acknowledging with relish that his work is often seen as vulgar including frequent scatological references, Rowson defended himself against accusations that he was crossing the boundaries of good taste by arguing that those boundaries had already been trampled many times over hundreds of years in a healthy British tradition. He traced a direct link between his work and that of Gillray and Hogarth, claiming a moral element to the puncturing of inflated public personas.
On how characters emerge and develop, Nick Clegg was cited as an example of somebody he found difficult to draw convincingly, until he noticed a slight wobble of his head during the delivery of a speech and so Clegg became Pinocchio, the puppet who wanted to become a real boy. The delight in finding the perfect incarnation of a character was evident, but caused mixed feelings when somebody he loathed politically but enjoyed drawing left centre stage and no longer justified an appearance.
Illustrating his points with fascinating historical and contemporary images, Rowson showed how earlier satirists had used classical images for their own purposes, and how he in turn had used these for inspiration and reference. So, Hogarth’s etching ‘Gin Lane’ subverted the traditional image of Madonna and Child by portraying the absolute opposite of maternal concern as the drunken mother lets the child slip to certain death. Rowson showed several of his own recreations of this scene to explore different issues.
A sparky mix of political context and personal anecdote, Rowson proved as engaging and insightful in the flesh as he is on the page.
Rowson’s editorial cartoons can be found in The Guardian – available daily in the Periodicals Room